Monday, May 2, 2011

Sonic Sketch... Experiment

At the moment, the major question that leads my project is whether sound can affect the practice.
I this project I'm focusing on the practice of drawing, although I want to explore many others.

In order to test that I have conducted an experiment in which I've asked the users to draw 2 similar drawings. In one, there was a complete silence, while in the other - movement depended sounds has been produced - according to the movement of the pen.

The outcomes (presented in the short film) were fascinating, and the differences were extremely visible. I was also very interested in the participants experience and sense of awareness to the additional dimension added to the drawing. The answers, same as the drawings were interesting and stimulating and are being used to further development of my project.

Enjoy!

Thursday, March 3, 2011

Proposing!

Throughout the year I have been collecting a vast amount of information about music and sound and its affect on us humans.

I was then eager to use it, to create something productive out of it, but didn't know what. I have been referred by a friend to the book 'The Design of Future Things' by Donald A. Norman.
In his book Norman is talking about the importance of sound in the communication between man and object. When reading the book I found an interesting quote by the psychologist J.C.R Licklider who attempt to determine how people and machines could interact gracefully and harmoniously:

“We need more natural form of interaction, an interaction that can take place subconsciously, without effort, whereby the communication in both directions is done so naturally, so effortlessly, that the result is a smooth merge of person and machine, jointly performing a task”

I decided to adopt this quote as my new brief. I tried to think how can I implement brief using the knowledge I acquired. I have come up with three main propositions for design, Each of the propositions are unique and has its own advantages and disadvantages:

Object communicate as humans: I wanted to explore how well we communicate with our objects and vise versa if they were to sound like people.

Objects communicate through music: Design object, which will communicate with music. In this proposition I can use the voluble information I have been collecting about music and implement it on the man-machine interaction. This proposition will force the design to be well considered in terms of form, material and especially function. The object will be added another use, which is to communicate with the user through music.

Amplified Objects: There is so much information held within the sound of an object. What would happen if we could hear the way the object function better? Would we understand how it works better? Would we know how to operate it better? Will we design it differently? I believe that listening to the object will allow users and designers understand the object better, its materiality, its function, its strength and weaknesses.

Monday, February 28, 2011

Listening

After exploring music and its qualities, I have decided look at sound and the way we are concisely and unconsciously affected by it.

I have conducted a test, in which I asked people to identify 13 sounds I recorded while also describing any feeling and/or memories it arouse. Some of the sounds reminded people of personal experiences that the sound was related to, but there were a few interesting similar results.

The sound of a boiling water in a kettle was identify either as a kettle or as rain or the sea. The natural sound of the water made everyone (!!!) feel calm and relaxed.

As for an iphone ringtone/alarm, all people found it annoying, stressful and disturbing.


The data I've collected relates to the data Julian Treasure presented about sound. Treasure gives 4 main ways in which sound affects us: physiologically (can change our heart rate, breathing, hormone secretions and even brain waves); psychologically (affecting our moods and emotions); cognitively (changing how well we think); and behaviorally (we move away from unpleasant sound if we can). Most of these effects are non conscious: we have become used to suppressing sound because we’re commonly surrounded by noise in the modern world.


I have found out that Sound has a fundamental part in enhancing communication between people and objects. I wanted to explore the associations of sound by implementing well known sounds on human and social interactions.






The sounds are so embedded within us that we can actually make sense of this video.


Sunday, February 20, 2011

A Treasure

I am thrilled to announce that I have 'Discovered' the inspiring man called Julian Treasure. He is the chair of the Sound Agency, a firm that advises worldwide businesses -- offices, retailers, and hotels -- on how to use sound. He also runs a blog which I highly recommend reading.

It is as if he looked at everything I researched about, and put it into well-articulated words. I have started to read his blog, watched videos of 'Ted Talk' he gave and listened to interviews with him, and found out i completely admire his appreciation and attention he gives to sound.

He recorded a show for the BBC World Service called The Forum. In the show he quoted hermann hesse's opinion about Music- "Time made aesthetically perceptible", which I really liked. I believe we should look at sounds in the same way- they should (together with their other functions) make time aesthetically perceptible. Just walking on the street, or getting into a typical London office- we can experience endless amount of unpleasant sounds.

In the Ted Talk video I've attached, Treasure is describing the 4 ways in which sounds effect us; Physiologically, cognitively, Psychologically, Behaviorally. Understanding the great effect of Sound and Music on us, I aspire to (somehow) implement the idea that sound is a material for design and NOT a 'design side-effect'.


Wednesday, February 16, 2011

Simon Soundman

Looking deeper into sounds and its effect on us, I have been referred by a good friend to this lovely Sesame Street Video:


Besides being nostalgic and lovely, this short video demonstrates another form of communication. Objects have names and function and structures, but they also produce sound. For most objects, it is enough to listen to the sound it makes in order to understand what they are.

We sometimes underestimate the importance of the sounds objects produce. The obvious example will be the kettle or the toaster, which alerts us when they have 'fulfilled their task' by sounds. The sounds that they make, which are so obvious to us, are not only 'aftereffects' but also a vital part in the product! These sounds are not electronic programmed sounds, but sounds made by the physical process that is happening.

Not too long ago I found the 'Breville Professional 800 BTA840 Toaster’, which doesn't make the toasts jump. The design is very slick and sophisticated but it seems like, to me, the toaster lost its use and meaning completely.


In his book "The Design of Future Things" Donald A. Norman writes about the importance of sound in automobiles. He explains how, with no sound, the driver is being detached from the feeling (and responsibility) of driving a car, and in result to that- he may be less aware of the dangers and risks.

What I aim to investigate is the importance of sound in the design of everyday, and future object. I believe that I should start by exploring the sound that already exist- and try to make them heard, rather than ‘inventing’ new ones.

Thursday, February 3, 2011

The sound of....

This post is aimed for you: the reader. I need your kind help for my research.

All you need you to do is take a few minutes, get your headphones and listen carefully. I have attached a few audio files to this post. For each file you should write:
-What is the sound
-Whether it makes you feel any kind if emotion, and is so, what emotion.
-Whether the sound arouses any kind of memory, and if so, which memory.

example:
-Sound of water fall
-Happy
-Reminds me of a place in South America.... (give details of the memory)
You don't need to identify yourself, only whether you are a male or female.
*please don't look at other people's answers, and go with your instincts!

The answers you should send to: morbk3@gmail.com

Thank you!
Mor.

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

Barber's Shop Illusion

After exploring much about music, I have decided to look more into the amazing and mysterious world of SOUND.

The definition of sound is: a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing and of a level sufficiently strong to be heard, or the sensation stimulated in organs of hearing by such vibrations.
This is the physical, and rather boring, definition. I want to explore what effect does sound have on us humans. I started by Looking at auditory illusions and how they can help us understand the workings of the human brain.The most exciting one I have experienced so far is 'the Barber's Shop Illusion'.

In order for this to work you'll need headphones. Make sure there is no noise around, close your eyes, turn the volume up a little bit, hold and press headphone on your ears for better hearing, play it and enjoy this impressive illusion.



The Barber's Shop Illusion is a demonstration of the stereo effect. Listening to it, you feel as though you are in a barber's chair, with the barber moving around you, clipping away at your hair. As the barber "moves" to your right, the volume increases slightly in the right channel and decreases in the left. Similarly, increases in the volume of sound from the clippers give the impression that he is bringing them closer and closer to each ear. The illusion demonstrates our ability to locate sounds in space; by comparing the inputs to the two ears, we can work out where a sound is coming from.

Looking into this, and other illusions made me want to learn more about sound. sound journey begins, Hope I won't be disappointed...

Sunday, January 16, 2011

Sensology

While writing my dissertation i came across this painfully beautiful video.
Looking at the different areas I have been exploring, I would define this video as a subjective, artistic translation of music into visuals.
This video is showing, to my opinion, how the sound would look like, if we could actually see it. The film is made so well which makes it easy to get 'sucked' into it!



Many animation techniques were used and experimented in this film.
Sensology is a short animated film by Michel Gagné that visualises in abstract form, an improvised musical session by two leaders of the avant-guarde jazz movement, Paul Plimley (piano) and Barry Guy (bass). Gagné started working on the film in August 2006 and finished it in July 2010. The whole film was hand drawn (painted) with a Wacon tablet at first, and later, a Cintiq, using Adobe Photoshop. The drawings and frames were then composited and manipulated in a 2D software called Animo. There is no vector animation at any point in the film.

Hope you'd like it as much as I did.

Monday, January 10, 2011

Music for life


Exploring the area of musical gestures had led me to an investigation of the effect of music on our brain. We don’t need to read academic studies to know that music has an effect on us. Whether it affects our emotional state (makes us happy or sad), assist us with performing physical or mental tasks or bond us with other people, music have a great effect on us . I didn’t think of expanding the research into the area of the music therapy, and the effect of music on people with mental and physical disabilities up until last month when I was encouraged by my mother to visit a school in Israel called “nitzanim”. The school is a regional school for people from the age of 3 to 21 with special needs. Besides the intense effect of the visit in the school, I have been extremely fascinated by the music therapy classes, which ware talking place during my visit.

I kept on asking questions, trying to understand better the methods of treatment and the effect on the children. Coming back to London, I have decided that as a part of my project I want to research more about music and its effect on people with special need and perhaps aiming the project towards this group. There is a huge amount of information concerning musical therapy and the effect of music on people with different disabilities, but I had to start somewhere.

Today I’ve met Pam Heaton, a Professor of Psychology at Goldsmiths, University of London. Pam’s primary research interest is in developmental disorders, especially autism. She has completed a PhD on musical cognition in autism and she is now investigating remediation of sensory abnormalities, pitch and colour discrimination and memory, and colour categorisation in autism. Pam is also trained as a classical singer and retains a strong interest in the cognitive neuropsychology of music. I find Pam’s field of exploration extremely interesting, and today we tried to understand whether there is any potential for design within that area. The following video gives a better description of Pam's work: http://www.vega.org.uk/video/programme/50

I’m hoping the exploration of this field will assist me with developing my project. But even if it isn’t, I am happy I had the opportunity to meet Pam which is, besides being a lovely person, is intellectually inspiring.